“Meister”

2022

Meister Aktenordner (file folder)

42 x 59,4 cm (DIN A2) x 2 cm

Meister Telefon

29,7 x 42 cm (DIN A3) x 2 cm

Meister Zyklon B

21 x 29,7 cm (DIN A4) x 2 cm

Meister Kaffeefilter

21 x 14,8 cm (DIN A5) x 2 cm

Meister Alleskleber (all-purpose glue)

10,5 x 14,8 cm (DIN A6) x 2 cm

Meister Zweikammer-Teebeutel

(two-chamber tea bag)

7,4 x 10,5 cm (DIN A7) x 2 cm

Meister kegelförmiger Bleistiftanspitzer

(cone-shaped pencil sharpener)

5,2 x 7,4 cm (DIN A8) x 2 cm

Meister Reißzwecke (pushpin)

5,2 x 7,4 cm (DIN A8) x 2 cm

materials:

thermoplastic, asphalt emulsion, galvanised steel

Germany benefits from its reputation of being the land of inventors. In 2021 it ranked 2nd place in terms of the number of patents filed with the European Patent Office – right behind the USA.

In 2022, Ralph Baudach did some research concerning German inventions and patents from the 19th and 20th century. He noticed that some of them have become firmly established in everyday office life and are being used all over the world: the file folder, the telephone, the coffee filter, the two-chamber tea bag, the all-purpose glue, the cone-shaped pencil sharpener and the pushpin. These inventions underline the stereotypical image of the Germans, especially abroad: well-organised, reliable, tidy, efficient, but also somewhat stodgy and humourless.

However, this realisation did not yet lead to any artistic idea for a work.

Everytime he goes to his studio, Ralph Baudach takes the bike. If you cycle a lot, you can't ignore the constant belt of asphalt under your bike's tyres. One day, whilst looking at the stony grey, one thing finally led to another: Germans are said to have “invented“ the Autobahn. Some even believe it was Adolf Hitler himself. German inventions, asphalt, Autobahn, Hitler – and bingo! The idea for “Meister“ was born.

The series' title is referring to a line from Paul Celan's world-famous poem “Todesfuge“ (“Death Fugue“):

(...) death is a master from Germany (...)
— Paul Celan "Death Fugue"

The idea behind the “Meister“ series is also based on the term „Banalität des Bösen“ (“the banality of evil“). It was the philosopher Hannah Arendt who formulated that phrase in view of the actions and the behaviour of Adolf Eichmann during his trial in Israel in 1961.

Ralph Baudach decided to counter the banality of everyday office items with one of the most horrific German inventions: the highly poisonous Zyklon B gas, also known as hydrogen cyanide. It was used to industrially kill more than one million people in concentration camps such as Auschwitz-Birkenau from 1941 to 1945. It would be fair to say that the aforementioned inventions for everyday office life were widely used in administrating this mass murder. In the “Meister“ series they are all united – silent and seemingly equal next to each other.

The silhouette of each invention is life-sized. They are made of thermoplastic, the same material used for road markings on German streets. The thermoplastic silhouettes are branded on asphalt emulsion that has been put in a 3 mm thick (0.12 in.) galvanised steel tray. This type of weatherproof steel is also used for guardrails on German roads, especially the Autobahn.

Each work in the “Meister“ series has an exact DIN format (standard paper size), ranging from DIN A2 to DIN A8. The paper size norms of Deutsche Industrienorm DIN (German Industry Standard) have existed since 1922. The associated DIN 476 served as the basis for the international standard for paper formats, ISO 216. Thus the innocent DIN symbolises the formerly strong international influence of Germany.

Overall, the “Meister“ series is a commentary on “the German“ in history and cliché.